PointeDancer.com

PointeDancer.com is FOR SALE

The sale comes with:

  • Domain name pointedancer.com
  • Custom, personally designed site is included.

POINTEDANCER.COM
Creation Date: 03-feb-2008

Please contact eric (AT) internext dot com with your offers. This could become a great dancers resource!

 

Dancing en pointe is the action of rising to the tips of the toes while performing steps from ballet. Also known as pointe work, it is performed using hard–toed and stiff-shanked pointe shoes. Dancing en pointe requires considerable strength and skill and is a central part of a female ballet dancer's training and repertory. To a lesser extent, pointe work is also practiced by male dancers.
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Ballet ClassDance is prominent throughout history. Traditions of narrative dance evolved in China, India, Indonesia and Ancient Greece. Theatrical dance was well-established in the wider arena of ancient Greek theatre. When the Roman Empire conquered Greece, it assimilated Greek dance and theatre with their art and culture. While dance continued to be important throughout the Middle Ages, in spite of occasional suppression by the Church, the art of ballet did not emerge until the late 1400s in Italy. Italy began the ballet tradition, but it was the French that enabled it to blossom. Incorporating aspects of Italian ballet, French ballet gained prominence and influenced the dance genre internationally. To this day, the majority of ballet vocabulary is French. In the last century, the United States also developed its own ballet traditions, most notably with choreographer George Balanchine. Although interest in contemporary dance has expanded to include modern dance, jazz, flamenco and other forms, ballet has endured the test of time and is still taught and performed. The etymology of the word "ballet" corresponds to the art form's development. The word ballet comes from French and was borrowed into English around the 17th century. The French word in turn has its origins in Italian balletto, a diminutive of ballo (dance). Ballet ultimately traces back to Latin ballere, meaning to dance.

Ballet Terms:

  • Adagio: In a classical ballet class, the Adagio portion of the lesson concentrates on slow movements to improve the dancer's ability to control the leg and increase extension (i.e., to bring the leg into high positions with control and ease).
  • Allegro: fast jumps, sort of like a leap.
  • Arabesque: Literally, "in Arabic fashion." The position of the body supported on one leg, with the other leg extended behind the body with the knee straight. The back leg may either touch the floor in tendu back (called arabesque par terre), or be raised at an angle. Common angles are 45° (also called à demi hauteur), and 90° (à la hauteur). When the angle is much greater than 90° and the body leans forward to counterbalance the back leg, the pose is called arabesque penchée. There are also various arm positions, such as forward on the same side as the back leg or the other arm forward.
  • Balance: French word for "balance". It is a movement beginning with one foot in coupé derrière, then shooting out to support the other foot, the other foot coming behind in coupé derrière, then rocking back on the foot in coupé, then repeat.

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Young girls usually start dancing en pointe between the ages of nine and fifteen years; they are not considered ready for pointe work unless they have been studying classical ballet for three or more years, with a frequency of two or more classes per week. They should also be in an intermediate or advanced level of ballet and be able to hold their turnout from the hips while performing center combinations. All of this requires careful evaluation on the part of the teacher. In the more serious dance academies, a professional's advice is required to make sure the dancers' feet have ossified sufficiently; serious foot deformities can result from starting pointe too early. Students must not dance en pointe until the bones of their feet are fully developed and the muscles in the arches, ankles, legs, pelvic area and abdominals are strong enough to hold their weight and bear the stress that is put upon them; injuries, such as breaking the ankle, can occur because of young, weak, and untrained bones and muscles. Pedicures are not a good idea for pointe dancers and pointe dancers must always make sure that they cut their toenails at least a day before dance class or concerts to let the toes adjust to the new length of the nails. Layers and layers of dead skin, callouses, etc. on the feet are helpful, like insulation against the strain of the shoe. Things like blisters, boils, athlete's foot, cuts of the feet, and even bleeding are to be expected. Some girl's feet have more arch than others and are therefore weaker and the dancer will need to work harder to strengthen her feet.

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